Artwork summary of available works in ascending order by price.
(Note, when an artwork is sold through an art gallery or dealer, an additional commission is typically involved. The commission percentage can vary, this commission covers various expenses incurred by the dealer, including marketing, promotion, storage, exhibition costs, and expertise in the art market)
Contact Artist: info@faustofernandez.com
Collage, laser cut paper, resin and spray paint on wood ,framed in black
16x16 inches
2023
$500
Collage, laser cut paper, resin and canvas on wood ,framed in black
16x16 inches
2023
$500
Collage, acrylic, photography and image transfer on panel
24 x 18
2021
$700
Scheduled for Exhibition: Cultivating Joy - Rocket Space Gallery at Danelle Plaza January 16 2025
Acrylic and image transfer on canvas
38" x 25"
2017
$1500
Collage, acrylic and spray paint on canvas
32 x 22
2022
$2000
The awareness of change as we grow older inspired this painting. The collage represents my older work as an expression of my younger self. The brushstrokes replaced the flat colors by literally covering my ideas of the past.
Collage, acrylic and spray paint on canvas
32 x 22
2022
$2000
The awareness of change as we grow older inspired this painting. The collage represents my older work as an expression of my younger self. The brushstrokes replaced the flat colors by literally covering my ideas of the past.
Laser cut collage, acrylic, spray paint, and resin on canvas with black frame
33 x 33
2023
$2500
Laser cut collage, acrylic, spray paint, and resin on canvas with black frame
33.75 x 33.5
2023
$2800
Photography, image transfer, collage and acrylic on canvas
36 x 36 inches
2021
$3200
Photography, image transfer, collage and acrylic on canvas
36 x 36 inches
2021
$3200
He is the dark personification of Venus, the evening star, and was associated with heavenly fire.
Collage, acrylic, oil sticks, and spray paint on canvas
36 x 60
2018
$2500
info@faustofernandez.com
laser cut watercolor paper, acrylic, spray paint, collage, watercolor, resin, and glued over canvas, framed in black.
37.25 x 49
2023
$4000
The Math Series
The “Math Series” are a series of conceptual works and mixed media collages that reference machines with mathematical equations in relation to relationships.
Fernandez incorporates motifs of machines and tools. These serve as metaphors for how when we are in love, we lose sight of reality and our true nature, making our behavior mechanical and autonomous.
5 paintings were made in order to break the symmetry of an even number. The dark backgrounds imitate chalk boards with a five inch canvas border. The black lines in these paintings are variations of the same five lines, same length and same width.
Each painting has a written mathematical formula. In the front the formulas are covered by the layers of paint and collage, they are symbolic to a chalk board background, the formulas are written in the back for context behind each painting.
The white paper collage images are inanimate objects that are cut in pieces and conceptually inspired by these formulas.
Collage, acrylic, oil pastel, and spray paint on canvas
2012-2022
72 x 48
$4500
In this painting the metaphor is in a microscope in reference to a breakup. When talking about love and romance, people often bring up unseen and mystical connections. Such connections exist in the subatomic world as well, thanks to a bizarre and counterintuitive phenomenon called quantum entanglement. The basic idea of quantum entanglement is that two particles can be intimately linked to each other even if separated by billions of light-years of space; a change induced in one will affect the other.
Consider two particles, A and B. The quantum state for a two-particle system is simply the tensor product of the two state spaces. We can write the quantum state of the two-particle system as,
|Φ⟩=|𝐴⟩⊗|𝐵⟩|Φ⟩=|A⟩⊗|B⟩
Or simply,
|Φ⟩=|𝐴𝐵⟩|Φ⟩=|AB⟩
This is just a compact notation that indicates that the left state corresponds to particle A and the right to particle B.
Collage, acrylic, oil pastel, and spray paint on canvas
2012-2022
72 x 48
info@faustofernandez.com
$4500
he Space Station .
(The formula for finding a partner)
In this painting the metaphor is in the space shuttle in relation to space. The Drake equation is used to estimate the number of highly evolved civilizations that might exist in our galaxy. Dr. Frank Drake developed the formula in 1961 at the National Radio Astronomy Observatory in Green Bank, West Virginia.
Peter Backus used this formula to calculate his potential girlfriends as explained in his academic paper called “Why I don’t have a girlfriend: An application of the Drake Equation to love in the UK”
G=R⋅fP⋅ne⋅fl⋅fi⋅fe⋅L
G = The number of civilizations capable of interstellar communication
R = The rate of formation of stars capable of supporting life (stars like our Sun)
ne = The average number of planets similar to Earth per planetary system
fl = The fraction of the Earth‐like planets supporting life of any kind
fi = The fraction of life‐supporting planets where intelligent life develops
fc = The fraction of planets with intelligent life that are capable of interstellar communication (those which have electromagnetic technology like radio or TV)
L = The length of time such communicating civilizations survive
Collage, acrylic, oil pastel, and spray paint on canvas
72 x 48
2012-2022
$4500
(The formula for the perfect ass)
In this painting a stationary bike is the metaphor to working out and having a perfect ass.
The mathematical formula was Developed by Dr. David Holmes, a psychology lecturer at Manchester Metropolitan University, and his team of British academics, this mathematical — but also pretty subjective — formula will tell you exactly how flawless your ass really is. One must assess our assets on a scale of 1 to 20 in the following categories:
(S+C) x (B+F) / (T-V).
S = overall shape
C = circularity
B = bounciness
F = firmness
T = skin texture
Calculate V, which is the ratio of the hips to waist. Then simply do the math and determine how close it is to 80 — a perfect score
Collage, acrylic, oil pastel, and spray paint on canvas
2012-2022
72 x 48
$4500
(The formula where the result is I love you)
In this painting a vintage rotary dial telephone is the metaphor for communication and love.
The mathematical formula can be brought down by simple algebra like,
say, i+5 < 3u+5 => i<3u
The famous style is this:
Solve for i,
9x- 7i < 3 (3x -7u)
= 9x - 7i < 9x - 21u
= -7i < -21u (cancel out the 9x)
Simplified: i <3 u
Therefore: I love you
Collage, acrylic, oil pastel, and spray paint on canvas
2012-2022
72 x 48
$4500
he formula for the perfect scary movie)
In this painting the metaphor is an electric chair in reference to a scary movie. The pentagram was not painted for its spiritual significance, but rather as a variation of the five lines in this series. The pentagram is often used as a mystic and magical symbol so it inspired the mathematical formula. It represents the perfect scary movie, the shining.
The mathematical model shows what elements of suspense, realism and gore combine to make a blood-curdling scary movie.
(es+u+cs+t) squared +s+ (tl+f)/2 + (a+dr+fs)/n + sin x - 1,
Where:
es = escalating music
u = the unknown
cs = chase scenes
t = sense of being trapped
s = shock
tl = true life
f = fantasy
a = character is alone
dr = in the dark
fs = film setting
n = number of people
sin = blood and guts
1 = stereotypes
Photography, image transfer and acrylic on canvas in orange frame
48 x 60 inches
2021
$5500
This is an image of a picture I took in 2017 from the grounds of the Pasadena City College Robinson Stadium during their graduation. Here, I am neutralizing their facial expressions to address the beauty of our individual characteristics, the non-verbal communication, that are meaningful for our connection. I also noticed the amount of diversity of people in this picture, something that I enjoyed about living in LA, most of my friends when I lived in LA were from different parts of the world.
Collage, acrylic and gold leaf on canvas
2020
72 x 48
$5500
This series reimagines damaged Navajo rugs repaired with gold, inspired by Kintsugi and wabi-sabi philosophies that celebrate imperfections. Influenced by my experience working with museum collections, these works honor the fragility of cultural artifacts while embracing Abstract Expressionist spontaneity through bold, gestural paint splatters.
On display at LUX Annex/ Scottsdale Arizona
Laser cut collage, acrylic, spray paint, and resin on canvas with black frame
49 x 49
2023
$6000
(Note: Prospectus #276 NM Art In Public Places 2024)
Laser cut collage, acrylic, spray paint, and resin on canvas with black frame
49 x 49
2023
$6000
(Note: Prospectus #276 NM Art In Public Places 2024)
Ready lane (left) and General traffic lane (right)
Laser cut collage, acrylic, spray paint, and resin on canvas with black frame
49 x 49 each
2023
$6000 each
3243 N 3rd St Suite A, Phoenix, AZ 85012
(Note: Prospectus #276 NM Art In Public Places 2024)
Collage, acrylic, and photo image transfer on canvas.
60 x 48 inches
2019
$4000
On Display at Lux Central / Lux Salon Phoenix
God of providence, the darkness and the invisible, lord of the night, ruler of the north.
Collage, acrylic and spray paint on canvas
60x48
2018
$6500
On display at Danelle Plaza Tempe Creating Joy
Scheduled for Exhibition: Cultivating Joy - Rocket Space Gallery at Danelle Plaza January 16 2025
Goddess of water, lakes, rivers, seas, streams horizontal waters and baptism
Collage, acrylic and spray paint on canvas
60x48
2018
$6500
atron of knowledge and learning, and also creative god.
Collage, acrylic and spray paint on canvas
60x48
2018
$6500
Location: Phoenix
info@faustofernandez.com
Collage, acrylic, oil stick, photography and image transfer on canvas with laser engraving on wood slab. Framed in light blue
49 x 96
2022
$7500
My art studio is inside a warehouse that transforms locally sourced Arizona lumber into custom handcrafted furniture. My artworks are memories of my journey and I thought it would be special to make a piece that captivates this time working on within the community at the warehouse where my studio is located. I photographed the enormous burl as reference that has been placed right next to my worktable for the last 5 years.
Collage, acrylic, oil sticks and spray paint on canvas
60 x 60
2018
$7500
This is a portrait I took of a friend of mine named Jae. The translucent rectangle came after the portrait as an aesthetic composition, it inspired the idea of it representing minorities and middle-class people living in the United States, such as myself. The monolith tones down the image as a metaphor to re-discover the values all ethnic cultures.
Art Farm Iowa Residency June 2023
During the residency Fernandez created this artwork at the farm inspired by Iowa agriculture. Fernandez learned to drive a tractor and a three wheeler in dragging a canvas across the farm in rows just like farmers till the soil with their tractors or plant rows of corn. The end result is in process as Fernandez is combining the canvas with a performance video.
The Art Farm Iowa Residency resulted in my first performance work that was published in the statewide Iowa Magazine.
Located at ArtfarmIowa in Northwood Iowa
$6800
Art Farm Iowa Residency June 2023
Farm soil, grass stained canvas and spray paint, framed in black.
62 x 92 inches
During the residency Fernandez created this artwork at the farm inspired by Iowa agriculture. Fernandez learned to drive a tractor and a three wheeler in dragging a canvas across the farm in rows just like farmers till the soil with their tractors or plant rows of corn. The end result is in process as Fernandez is combining the canvas with a performance video.
The Art Farm Iowa Residency resulted in my first performance work that was published in the statewide Iowa Magazine.
Located @artfarmIowa in Northwood Iowa
$6800
Collage, acrylic, gun powder and gold leaf on canvas
60 x 120 inches
2020
$7500
This series reimagines damaged Navajo rugs repaired with gold, inspired by Kintsugi and wabi-sabi philosophies that celebrate imperfections. Influenced by my experience working with museum collections, these works honor the fragility of cultural artifacts while embracing Abstract Expressionist spontaneity through bold, gestural paint splatters.
On loan and display at Goodmans
Collage, acrylic, oil sticks, crayons, resin, and spray paint on canvas.
84x69 in
2021
$8500
“In 2020, the artist noticed a surge of public comments on the internet about faith and religion, misinformation, disagreements, and strong opinions about individual beliefs. With over 4,000 religions and over 18,000 deities to choose from in the world, arguments about these subjects seemed pointless. Here Fernandez presents us with Ganesha, Hera, Jesus, Lord Shiva, Osiris, and Zeus. Thinking about omnism, which is the recognition and respect for all religions or lack thereof, Fernandez was inspired to paint a scene to help us ponder about where we stand on the issue” Laura Hales
Scottsdale Arts Learning & Innovation
Curator of Learning & Innovation
Genetic Adaptations To Environmental Changes
Collage, acrylic, and resin on canvas
84 x 120 Inches
2024
Process Video : Click Here
$15000
Collage, acrylic, and resin on canvas
84 x 120 Inches
2024
Process Video: Click Here
The artwork is an optical illusion; an abstract collage with an element of surprise, the negative space on the canvas reveals a landscape of broken trees and roots of rejuvenation.
I photographed the abstract details of the trees that divide two properties in Iowa during an artist residency. I was drawn by the green landscape that is different from the kind of desert landscape in the border of Texas and Mexico, where I grew up. I find the stories of our upbringings interesting and how they shape us. I grew up in a city, a few mountains but nothing close to hike or go camping. I find it interesting how our environments shape our personalities, some people grew up around lakes fishing, others around lots of vegetation, hunting, or farming. Our environments shape our thoughts and our goals, we develop different skills, we have different stories, we are unique.
In 2022 I purchased a small laser cutter as a new tool for this work. I worked for four months learning to use the program and developing a technique to assemble the small pieces of paper onto this large canvas.
The artwork resulted in 56 square pieces of paper cut into small pieces and meticulously assembled on the canvas like a puzzle to reveal a landscape of trees.
The paint was applied by blowing watercolor bubbles onto the surface of the paper, sprayed with a water bottle, and black resin to accent the fallen tree.
(Note: Prospectus #276 NM Art In Public Places 2024)
Collage, acrylic and gold leaf on canvas
108 x 84 inches
2021
$16500
This series reimagines damaged Navajo rugs repaired with gold, inspired by Kintsugi and wabi-sabi philosophies that celebrate imperfections. Influenced by my experience working with museum collections, these works honor the fragility of cultural artifacts while embracing Abstract Expressionist spontaneity through bold, gestural paint splatters.
(Note: Prospectus #276 NM Art In Public Places 2024)
Collage, image transfer, spray paint and
acrylic, divided on 3 canvas stretchers
72x180
2016
$16,000
General John J. Pershing and his crew of military officials. These soldiers were part of the expedition charged with capturing Mexican revolutionary Francisco “Pancho” Villa for his attack on the town of Columbus, New Mexico, in 1916. Fernandez was drawn to the powerful stance and stoic presence of these men, whose military attire reinforces their sense of authority.
Collage, image transfer, spray paint and
acrylic, divided on 3 canvas stretchers
72x180
2016
$16,000
General John J. Pershing and his crew of military officials. These soldiers were part of the expedition charged with capturing Mexican revolutionary Francisco “Pancho” Villa for his attack on the town of Columbus, New Mexico, in 1916. Fernandez was drawn to the powerful stance and stoic presence of these men, whose military attire reinforces their sense of authority.
CAMINO AL ARTE ARTIST RESIDENCY
Community Engagement Project
Atotonilco and San Miguel de Allende
Mexico
2023
The Atotonilco Sanctuary has a sculpture of a virgin who lost her head. In this project I set out to find out why by interviewing the community in which they participated by writing their versions on drawings I created. Here is a picture of the local priest participating by telling his story in conjunction with a local resident who expressed his story of how him and his friends damaged the piece when they were kids.
The artwork and photographs are framed and presented as one piece for future opportunities.